The Iron Man With a Heart of Gold

The iron man with a heart of gold is a phrase I heard on the news a while ago, and it struck me.

Kano, from the Mortal Kombat franchise, holds the heart of his defeated opponunt above him in his signiture Fatality.  Kano is the colour of iron, and the heart is gold.

I was going to go with some Tony Stark thing, but then I realised that Kano is so much cooler than Stark.

To lift a quote from Peter Dickenson’s fantastic book The Flight of Dragons: “One day a stranger comes, a strong man scarred with many fights and carrying a weapon the like of which they have not seen, no flint axe or hammer but a long thin blade of apparently magical strength and sharpness.” Despite the vast leaps humanity has made in metallurgy since the beginning of the Iron Age, we in the West have clung onto this idea of iron being almost supernaturally strong. When we want to emphasise something’s unyielding strength, we still call it ‘iron’, not steel or carbon fibre or any other metal which is, in fact, far stronger. (Like ‘an iron fist’ or Marvel’s Iron Man. There’s even a suggestion that Superman earned his ‘Man of Steel’ moniker in an attempt to ‘one-up’ Philip Wylie’s ‘Gladiator of Iron’.)

The heart is the home of the emotions and the soul. I’m not sure if that’s something we’ve picked up from the Ancient Egyptians, but they were most probably saying it before us in Western Europe and we’re still saying it today. The heart is the home of the everything which makes us human, more than the sum of our biological parts.

And gold is more than a precious metal. It’s pure, and it’s beautiful.

So the person on the news wasn’t talking about an iron statue with a lump of gold stuck it his chest. He’s talking about a supernaturally strong man with a pure and beautiful soul.

It just struck me because, without all that cultural context, it must seem like a pretty odd way to describe someone.

Something to bear in mind when one is writing.

… Oh, okay.  Here you go:

I Got a Mention in Locus Online!

Locus Online have reviewed Alt History #4, which, as you’ll know, has my SteamPunk story Restless in it. Lois Tilton, the reviewer, isn’t really shedding praise. She says Alt History has ‘dropped below professional standard’. She calls Restless ‘A frustrating teaser’ for the story of Fa Tiáo Gui, the Clockwork Ghost.

Well, if it’s good enough to make her frustrated at the lack of more, it’s got to be pretty good!  It certainly can’t be bad for my first ever mention in a professional review.

Read the whole review here. It’s only very short.

A picture of an ironclad British warship.  There are two main masts and rigging for sails, but also two chimney stacks.

The HMS Inflexible. Not quite the ship Commodore Nelson would have been using to escort the Colossus Engine, but it’s almost there.

The Salmon, The Bear, and the Mud Monster

There is a wonderful essay on the Future Fire blog by Filipina writer Rochita Loenen-Ruiz about how colonisation has shifted Philippine culture so much, even their natural skin colour is considered inferior to white, and how you can write sci-fi from that tangle. It’s well-worth a read.

I’m not going to address any issues of colonisation. I want to use a question in the essay for an entirely different discussion: who do you want to read your work?

It kisses bumpers with a discussion I was having with Allegra and William Drood about William’s lack of motivation to write. Both Allegra and I said the same thing: we rediscovered our love of writing when we remembered why we started doing it.

See, let me tell you a story.

A few years ago now, I had been slowly slipping myself into the pool of short spec-fic and getting used to spending time in slush piles. But, well, it felt more like grinding away at something than anything enjoyable. I had to learn the tropes, the market, what people wanted, what people would pay for, the clichés, the cliques… What I wanted to write wasn’t what was selling, so I changed what I was writing.

Salmon. Both tasty and wise.

I was at a gathering of druids. The house is a single-story bungalow in the middle of a field in Nebo. The fridge is a bucket of cold water outside the front door, the sofas are old and tired, the Aga’s on and it’s night outside. I sit around a table with Allegra as she chats to the druidess, and she mentions the problems I’m having with my writing. The man next to me has got to be about twelve foot tall, and most of that is beard. His personality is as big as the bear that is his totem. He picks up a deck of animal oracle cards, tells me to shuffle them and take one. I do as commanded. I show it to him.

“Salmon,” he intones. “You said you were having trouble with your writing. Go back to the source.”

I nod and don’t say anything, because I’m young enough to think I know better than the forces of the universe.

But he was right, that bearded bear of a man. I needed to remind myself why I wanted to be a writer.

I was six. It was creative writing in class, and I was writing a story where a mud monster attacked my friends and I. I can still see what it looks like. The story wasn’t finished when class was, and so I took it home and finished it. It was the first–the only–time I’ve ever voluntarily taken classwork home and finished it. Yeah! I thought. This is what I’m going to do when I’m grown up!

With lightsabers. Everything is more awesome with lightsabers.

So, I write to tell stories about cool people doing awesome things. Like fighting mud monsters or talking to the spirits of stars or sinking the British Empire’s engine of terror.

And who do I want to read my stories? That six-year-old kid. The twelve-year-old kid he grew into and the fifteen-year-old kid that followed. Any kid, of any age, who wants to open a book and crawl into a world where awesome things happen, things that are too big for the real world to contain. Because they’re always there, in my head, and I like to know I’m not alone.

Read An Extract of ‘Restless’ Online

You can now read an extract from my SteamPunk story ‘Restless’ on Alt History’s website, for free!

I also got my contributor copy of the magazine through the post.  It looks damned fine.  You can buy your own copy here.

New Fiction: ‘Restless’ Now Available in Alt History #4

Yes, my SteamPunk story Restless in now available in both print and ebook formats as part of Mark Lord’s Alt History Magazine #4.  If you’ve forgotten what it’s about since my last post on it

In the East China Sea in 1870, Commodore Paul Nelson leads a flotilla of ships to the Chinese mainland. They escort the Colossus Engine, a weapon of unparalleled terror and destruction, and carry orders to subdue China and claim it for the British crown. A young Han girl called Bik Shu shovels coal in the ship carrying the Engine, on a mission from a long-dead wuxia to protect her homeland…

Of course, the magazine has more than just my story in it.  It also has:

  • ‘Kleine Menschen’ by Eric Jackson is a historical fantasy story set in World War II Germany.
  • ‘Feast of Faith’ by Shane Rhinewald explores the struggles of common soldiers during the First Crusade who don’t have enough to eat.
  • ‘Three Months of Summer’ by Svetlana Kortchik is a love story that happens during the German occupation of Ukraine in 1942.
  • ‘The Stork’ by George Piper is a backwoods horror that will scare and surprise you.
  • ‘Battalion 202: A Blinded Falcon’ and ‘Battalion 202: Into the Darkness’ by Jonathan Doering are two alternate history stories about the resistance to a German invasion of Britain.

It costs about a fiver, so head over there and pick up a copy!

The Problem with Chekhov’s Gun…

… is that as soon as you see a gun on stage, you spend the rest of the play waiting for it to be fired. It also leads to incredibly arid sets, because there’s only so many props a writer can use in pursuit of plot.

I think I’m going to develop Foxie’s Flowerbed: “what do you mean, ‘why is it there?’ It’s there because it’s pretty.”